"本相就像诗，惋惜世上大多数的人厌烦诗"—— 《大空头》"真理如诗。并且大多数人他妈的厌烦诗篇。"-大空头
乌托皮亚实验室以"教堂中的教堂"概念在上海前史修建圣尼古拉斯教堂原址里用45吨钢铁打造了旧教堂里的新书店——思南书局诗篇店。这是上海最大最全面的专业诗篇书店，供给1000册不同言语的诗集。诗篇店规划连续了乌托皮亚实验室根据对偶构成的一向的魔幻现实主义风格：穿孔钢板，半通明，不确定的光线，色彩以及戏剧性的诗意。
乌托皮亚实验室以"教堂中的教堂"为概念，在上海圣尼古拉斯教堂的前史遗址中使用了45吨钢材，完成了思南图书诗篇商铺。作为上海最大的专业书店，它供给1000种不同言语的诗集。连续了乌托皮亚实验室的规划风格，根据对偶的魔幻现实主义，穿孔钢板，半通明，不确定的光线，色彩和戏剧性的诗篇能够在诗篇商铺里找到。
教堂里的教堂：教堂里的新书店教堂中的教堂：旧教堂内新建的书店CreatAR图画
皋兰路16号的东正教教堂原址是上海第二批优异前史维护修建。建成于1932年，现已不是教堂很久了。几十年间成为过工作，工厂，库房，食堂，住过人，之后也变成过会所，餐厅，最终被搁置。我第一次站在教堂原址里，似乎在某个迷宫废墟。但习惯了漆黑后，凭着修建学常识以及城市前史阅历，我能够辨识出从建成之初开端历代增益的制作痕迹。环绕这个旧教堂不同时期加建以及装修的各种痕迹揉捏在一同，和原始空间咬合成为一体。
修建外观，外部视图CreatAR图画
坐落高览路16号的原东正教堂是上海市第二批优异前史修建。它建于1932年，很长一段时刻没有用作教堂。在曩昔的几十年里，这里是工作室，工厂，库房，食堂，居民区，后来变成了沙龙，餐厅，最终处于一片荒芜之中。当我第一次站在这个当地的时分，我感觉它就像一个迷宫的废墟。但在习惯了漆黑之后，凭仗修建学的常识和城市前史的阅历，我能够辨认出从一开端就在一代又一代人身上取得的制作的痕迹。这座老教堂在不同时期的各种增建和装修的痕迹被挤在一同，融为一体。
教堂原貌和撤除剖面暗示，前教堂和撤除吴托皮亚实验室的剖面图
整个项目要在上海市前史修建维护业务中心出局的要求奉告单下才能够施行。要求不得改动修建现 有的立面，结构系统，根本平面布局和有特征的内部装修。立面和空间格式包含墙体以及内穹顶包含新的岩画和特征装修作为重点维护部分都不能够触及。要求撤除洁净不必要的墙体和楼板比方建于90时代的钢结构夹层，要把修建空间剥离洁净而将其原始形象显现出来，康复主殿的巨大空间。还要把东侧建立修建截短，在立面上和教堂原址齐平。再次尽量追溯教堂空间开始的资料，比方柱子，花饰，墙面以及地坪。这地上阅历破损修补，主殿地坪只剩下水泥垫层。而侧殿地坪一小部分是开始的金山石地上，大部分是70时代改建后留传的水磨石地砖，所以有必要保存。地砖在通过几回打磨清洗后，仍模糊有着当年的油污，算是作为工厂的回忆而坚强保存了下来。
▼撤除前的内部空间，internal space before demolition Wutopia Lab
▼撤除后的主殿空间，the main hall after demolition Wutopia Lab
The entire project can only be implemented under the permission of the Shanghai Historic Building Protection Affairs Center. No existing faade, structural system, basic floor plan and distinctive interior decoration of the building could be changed. The faade and layout, new and characteristic decorations on wall and dome cannot be changed as well. It is required to remove the unnecessary walls and floors, such as the steel structure interlayer built in the 1990s. The building space should be cleaned up to reveal its original image and keep the height of the main hall. Shorten the build-on part at east se, aligning to the original part.Tracing the original materials, such as pillars, floral decorations, walls, and flooring. After decades of wearing down, only concrete layer were left in the main hall. A small part of aged stone floor was discovered in the se hall, while others were terrazzo added in the 1970s. After repeated grinding and cleaning of the floor tiles, the oil pollution was still faint and it was regarded as the memory of the factory and persisted.
▼主殿的巨大空间得以康复，the height of the main hall has been kept in the building CreatAR Images
Church in church
我信任诗篇书店应该是上海这个城市的崇高空间，它要有独立的精力性而不应该假于原址的宗教性。已然教堂原址的墙面天顶不能够触碰，那我就用书架在旧修建Church中发明一个独立结构系统的新修建Church作为书店。这便是Church in church。一个现代人的精力庇护所诞生在曾经是某些人的崇奉庇护所之内。与砖石砌筑的教堂原址不同，我用银光闪闪的钢板打造了这个新书店。书架的隔板和立档都是全焊接钢板网格结构系统的一部分。它们互相效果构成一个钢铁书架构建的室内修建——诗篇书店。书架没有背板，穹顶的光线仍然能够洒入书店。书架还模模糊糊显露教堂原址从1920到2019不同时代的痕迹包含那组21世纪初作为餐厅时，老板请美院学生制作的天主教风格岩画。这样钢铁书店和砖石教堂就成为一个新的全体。
▼旧教堂修建内的新独立结构系统，a new structure as a Church in the old building Church CreatAR Images
I believe that the poetry bookstore should be the sacred space of the city of Shanghai. It should have an independent spirituality and should not be based on the religion of the old site. Given the fact that the dome could not be transformed, I used bookshelf to create a new structure as a Church in the old building Church. This is Church in church, a sanctuary for modern people was born in where once a sanctuary of faith. I chose to use plated steel plates other than the stone in old site. The partition and stand of the bookshelf are welded as a steel plate gr system. They interact with each other to form an inner space—a poetry bookstore. The bookshelf has no back panel, and the light from the dome can still spill into the bookstore. Different traces from 1920 to 2019 on the wall are faintly revealed through the bookshelf, including the Catholic-style frescoes that the owner asked the students of the Academy to draw when the group was used as a restaurant in the early 2000s. The steel bookstore and masonry church became a new integrate.
▼用银光闪闪的钢板打造的新书店，a bookstore built with glowing, plated steel plates CreatAR Images
▼穹顶的光线仍然能够洒入书店，the light from the dome can still spill into the bookstore CreatAR Images
▼穹顶细部，detailed view of the dome CreatAR Images
▼书架模糊显露教堂的天主教风格岩画，the Catholic-style frescoes are faintly revealed through the bookshelf CreatAR Images
我决议在地上上沿墙面用光带构成修建建成时开始平面轮廓线。读者沿着这轮廓线能够判别出那些是日后使用者的加建。我把坐落教堂原址东侧和西侧的原建立修建改建成一个咖啡馆。和银色的书店相对，决议用巧克力色把整个咖啡馆包含附在教堂原址上的加建都消弭在一个温文慵懒的背景色之中。
▼剖面图，section Wutopia Lab
With light strips on wall, readers could figure out the original outline of the church and tell which part is newly add-on. East and west part of the church was transformed into a café. Contracting to the silver metal bookstore, I used chocolate color to make the café a mild and cozy atmosphere.
▼咖啡馆空间，the café area CreatAR Images
▼温文慵懒的背景色， a mild and cozy atmosphere CreatAR Images
书店是个不触及立面的维护更新的室内项目。整个露出在外的教堂修建立面被要求不行动，咱们判别这个立面其实被不同时代的涂料重复叠加而在细节上失真了。我决议在咖啡馆一侧的墙面上做个实验。这堵算作内墙的墙面根本是教堂原址的外墙。当把层层叠叠的涂料剥离后，1932年的墙面最终显显露时刻的质感和沧桑。
The bookstore is an interior project that does not involve the preservation and renovation of the facade. We tested on the wall by the se of café, which is an inner wall but basically an outer wall , to see if there are layers of paints covering on the wall. After peeling off layers of paints, the texture and vicissitudes of 1932 were finally revealed.
▼咖啡馆与书店的联系，the relation ship between the cafe and the bookstore CreatAR Images
▼窗外一瞥，a glance to the bookstore CreatAR Images
书店一楼的窗子本来贴着褪色的五颜六色玻璃纸。我用蓝色贴膜替代。日光透过贴膜洒入侧殿，烘托出挨近无限通明的蓝色，消解了侧殿的实体感而烘托出主殿的光芒。
I chose blue film to replace the faded color window. An infinitely transparent blue is rendered when sunlight spilling into the se hall, dissolving the physical sense of the se hall and highlighting the brightness of the main hall.
▼蓝色贴膜烘托出挨近无限通明的蓝色，an infinitely transparent blue is rendered by the blue film stick on the window CreatAR Images
▼空间细部，detailed view CreatAR Images
▼窗户细部，window detailed view CreatAR Images
钢铁书店是30个工人用了80天制作的。工人先要依照图纸把5mmg钢板切成组成128根立梃，23层横档所需的640片大钢板和2921组小钢板。工人门在室外预装无误后撤除再运到现场一点点拼装焊接。最终在和不行触及的墙面不到50厘米的间隔前有条有理地拼出这个388平米高9.9米的书店。
The steel bookstore was built by 30 workers in 80 days. Workers must first cut 5mm steel plates into 128 standpipes, 640 large steel plates and 2921 small steel plates for 23 layers of crossbars according to the drawings. After pre-assembled correctly outdoor, the pieces were moved inse and welded together. Finally, this bookstore of 388 square meters and a height of 9.9 meters was methodically formed left a 50 cm gap from the old wall.
▼由一系列钢板构成的书架，the book shelves made of steel plates CreatAR Images
▼书架细部，detailed view CreatAR Images
银色的书店里，我把一个小小的楼座改建成金色的讲坛。在这里，你能够看到钢铁书店和砖石教堂原址怎么构成一种在形式上不触及但心情上毫无疑问你中有我，我中有你的联系。而诗人应该在这最崇高的当地大声朗读。“人生到国际上来，假如不能使他人过得好一些，反而使他们过得更坏的话，那就太糟糕了。”（艾略特）
▼书店空间俯视，an overlook to the bookstore CreatAR Images
In the silver bookstore, a balcony was transformed into a golden pulpit. Here you can see how the steel bookstore and the old masonry church are interwoven without touched. The poet should recite aloud in this noble place. “when people come to the world, if they can not make others better, they will make them worse.”-Eliot
▼钢铁书店和砖石教堂构成互不触碰却你中有我的联系，the steel bookstore and the old masonry church are interwoven without touched CreatAR Images
▼新旧结构细部，the details of the old and new structure CreatAR Images
▼仰视穹顶，looking up to the dome CreatAR Images
完工那天，我沿着被蓝光笼罩的螺旋楼梯而上。我站在讲坛前低声诵读着自己的语句“我酷爱诗，我用它发明国际”。我规划的思南书局诗篇店是“献给无限的少数人”（希门内斯）的礼物。她是上海这个城市的魂灵。
On the day of completion, I walked up the spiral staircase shrouded in blue light. I stood in front of the pulpit and whispered my own sentence, “I love poetry, and I use it to create the world.” The Sinan Books poetry store I designed is a gift “For the infinite few” (Jiménez). It is the soul of Shanghai.
▼蓝光笼罩的螺旋楼梯， the spiral staircase shrouded in blue light CreatAR Images
“自有人类便有诗”—雪莱“Poetry is connate with the origin of man.” – Shelley
▼思南书局诗篇店，Sinan books poetry store CreatAR Images
▼轴测图，axon Wutopia Lab
▼平面图，plan Wutopia Lab
▼撤除平面图，plan of demolition Wutopia Lab
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